Topic: Variety

Vivian Kubrick addresses the persistent conspiracy theory that her father faked the Apollo moon landings. She states categorically that the claims are a "grotesque lie," citing her father's intense work schedule on 2001: A Space Odyssey and Clockwork Orange during that period. She argues that a man with her father's artistic integrity and anti-establishment views would never have assisted the government in such a betrayal.

Vivian Kubrick references a 2016 article she wrote for Variety defending her father's legacy. She argues that films like Dr. Strangelove and Clockwork Orange prove he was a critic of the elite and mind control, making him the "last person" who would work for the CIA. She also details the massive workload involved in global film promotion and translation that occupied his time during the moon landing era.

Vivian Kubrick reads a statement she wrote in 2016 regarding the "malicious" claims that her father faked the moon landings. She argues that his life's work was a defense of mankind and that conspiring with the government would have been a total betrayal of his character. She categorically labels the theories as a "grotesque lie" and asks the public to respect her father's unimpeachable artistic integrity.

Vivian Kubrick addresses long-standing conspiracy theories claiming her father helped NASA fake the moon landings, calling the allegations baseless. She argues that her father's anti-establishment nature and his busy production schedule during the late 1960s made such a collaboration impossible. Kubrick also criticizes the mainstream media for fabricating stories about celebrities and expresses solidarity with those she believes are unfairly targeted by journalists.

Vivian Kubrick references a 2016 Variety article she wrote to defend her father's legacy against "malicious cranks" and conspiracy theorists. She argues that a man who critiqued the elite and mind control in films like A Clockwork Orange would never assist the CIA in a mass deception. From a technical perspective, she critiques the actual moon landing footage as looking "silly" and "bouncing," contrasting it with the more realistic movement of astronauts in her father's films.

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