Daughter Of Stanley Kubrick Tells Never Before Heard Secrets And Exposes How To Save Humanity

00:00 I think we ought to look at this from a military point of view. I mean, supposing the Ruskies stashed away some big bomb, see? And we didn't. When they come out in a hundred years, they could take over. I agree, Mr. President. In fact, they might even try an immediate sneak attack so they can take over our mineshaft space. Yeah, I think it would be extremely naive of us, Mr. President, to imagine that these new developments are going to cause any change in Soviet expansionist policy. I mean, we must be increasingly on the alert to prevent them from taking over other mineshaft space in order to breed more prodigiously than we do, thus knocking us out through superior numbers when we emerge. Mr. President, we must not allow a mineshaft gap! Sir!

00:42 I have a plan. What a genius film. I mean it talks about paperclip there, it talks about Kurt Lissome and Ella Limbush's plan to nuke Russia first. I mean it's all right there. What a genius film. How did your dad make that? Which we both agree. Shawn Kubrick's protege daughter right here, Vivian Kubrick. How did he come up with that masterpiece in the early 60s? Well, first of all, he was living in New York when the Cuban crisis happened, the Cuban Missile Crisis, and he said it was the most terrifying time. He had three children. Anyway, his friends and him got together, they tried to look at the wind patterns. It was a terrifying experience, and so he wanted to do a movie about

01:33 nuclear war. The other thing that was interesting about that is that he got a, after Doctor Strangelove was released and weirdly it was premiered on the day that Kennedy was assassinated. And so they cancelled the premiere. Weird coincidence. Anyway, he got a phone call from the CIA and they said we'd like to interview you. I've heard about this, so tell me. And so they said, we want to know how you knew what the war room looked like. That's right. And he was like, no, I don't think I will do an interview with you. But he was in England, and we had an apartment in St. John's Wood. And my dad told me this, that he was asleep in bed with my mom, and he woke up with a flashlight in his face.

02:23 a group of police officers standing around their bed, right? I mean, how many of you have had this experience unless you're a drug kingpin? And then they just said to him, sorry, we made a mistake and then just left. Well, I mean, good God. While other networks lie to you about what's happening now, InfoWars tells you the truth about what's happening next. Visit infowars.com forward slash show and share the link today. For the next two hours, we're doing the deep dive on Stanley Kubrick, the undoubted, undisputed greatest filmmaker of all time. The secrets and the truth about Stanley Kubrick with his protoshay daughter, Vivian Kubrick, straight ahead. But first, the obelisk moon scene from 2001's Space Odyssey. Again, for radio stations that are carrying video, obviously, they're marching down to the obelisk dig site on the moon, pointed at one of the super gas giants.

03:46 And, well, it sends his transmission. It's not too healthy for them because they're not... They've not been chosen like you're about to see later in the film. The great Arthur C. Clarke book made into a film by Stanley Kubrick to go to the next level. So, it's like they're not Moses at the burning bush so they get killed. Who will be first to touch the obelisk? Reminds me of Heavy Metal that riffs off this about the green jewel. I am the sum of all evil. Look into me one last time.

04:43 They're not making movies like this anymore. And again, they're marching down into the dig site where the obelisk was caught sitting in transmission out of space. And they're about to... And look how good the cameras are. This is made in the 60s. It looks like it's happening today. All this is so well done. Truly visionary. It's almost like the government and the media is way ahead of us. She did a lot of research, you know, for this. We'll talk about it with Vivian Kubrick in a moment.

05:38 Didn't go ahead and say that your dad did these handheld shots for zinc Yeah, my dad actually did quite a lot of the operating if it was hat well actually did all of the hand operating Hand operated shots, but yeah, I won't blather over this no you're not as great. It's ready to listen So it's good. You're doing. Oh hey radio listeners So they can't see this, that's why I always narrate. Listeners are like, why are you telling us what's on a news article? Or why are you reading a quote because they can't read it when they're listening? We're on 300 plus radio stations, kind of our big secret. I want to tell the stations no matter what happens to us here very soon, the stations are ready to pick us up. More stations want us now. Glenn Beck gave us a full endorsement today, so it's amazing. We used to be big enemies. He's number one on talk radio right now. He kind of took over Limbaugh's mantle. So he reaches 20 million a day on radio alone.

06:28 People don't realize we're all under attack together, so they're taking their group photo here. It's that little act of vanity and then they touch the obelisk and it's bye-bye. Ow. That's my bargain. The sun's a transmission system. As soon as it comes up, the signal hits it and it's bye-bye. All right, Vivian, you're here with your dogs. We're glad you brought them. Thank you. They're not just allowed to be here. We invite them. We love dogs. I've had like Mike Adams' dog climbing around on the table.

07:15 So it's we've had special forces colonels here with their dogs. So you you're a very private person. You've only had a few interviews out there. You were your dad's protege. You're in a lot of his movies. You worked on the music and a lot of the stuff in the films like Full Metal Jack. You did the music for the original score. You're in 2001 Space Odyssey when the dad from the space station calls down to his daughter. We're gonna play that coming up. But I'm not trying to pick fights really. We're not gonna name names, but I always hear this. Stanley Kubrick faked the moon landing with no evidence. But from what I know as a Stanley Kubrick fan, your dad was a anti-establishment guy.

07:55 that got harassed by the CIA, the FBI, because he was putting out these anti-establishment films like Dr. Strangelove. And then to sit there and see people on our side that are awakening saying, oh, Kubrick, it's kind of an ode to him. Oh, the moon landing, he faked it. Well, if he faked it, it would have been much better. So kind of repeat what you've said over the phone and stuff we've talked, because I've known you now for 13 years or so. Met you at a JFK anniversary in Dallas when the police attacked us and everything else. You're a great lady. It's just amazing to have here. So I'm gonna try to shut up the next hour and 48 minutes and really talk about the deep dive on Stanley Kubrick and if you want to tell me the stuff you told me You know privately and other things about how your dad knew these things how he was able to make these things People so he must be an insider. No, he just knew it and knew how to follow follow his instinct I think that's really a big secret. Um, well The palm of you finishing that I've gone blank um

08:49 I think I'd like to just start by saying that the whole news media and the way in which they report on celebrities and it's sort of like now that we don't have you know public floggings and throwing cabbages at people you humiliate and lie about people and punish them in a new way, which is basically to talk about them in the mainstream media. And because my father did enough interviews at the beginning where he would say, you know, apples are green, and then when it was printed, it would say oranges are, you know, orange, he would be outraged that they would just completely lie

09:31 and not actually say what he said. So he stopped doing interviews unless he had full control of the editorial. And by him stepping away, and I'll just be very clear about this, because it's happened to me as well, if you don't talk to these journalists, they are so spiteful that they then try and write the meanest, nastiest piece they can. on you, even if it's the most fantastic lies of all time. So, for instance, that's a lot of the reason why I have such a feeling of camaraderie, not only for the whole InfoWars thing, but camaraderie with Alex for the way people lie about him, because I know how news media lies, and

10:18 So, because my father didn't do any interviews, what then started to happen is these fantastical stories about him. Like, you know, he would drive around in a crash helmet at 30 miles an hour and, you know, sort of just nonsense. By the way, look at that intensity in your dad's eyes. Oh, I know. He was, there is no question about it, he was a bloody intense human being. But anyway, the reason why I mention that is to then look at this fake moon landing stuff. Now, I understand... People assume that I'm gonna lie, but for what it's worth I'm gonna tell you Factually why I know that he couldn't possibly have done that so there's two major reasons and then I'll go into detail One when I was six months old I was asleep next to my parents in my little car and they woke up with me like banging and crashing and they looked down at me and I was completely blue and

11:13 And I had very, very severe croup as a child. So I had a sister, I had two other sisters, one was only 18 months older than me. And so my parents, I know all of you parents out there know this, one parent stays awake all night with the sick child and the other one tries to get some sleep. It just turned into where my dad would take care of me. And to make it simple... You bonded with him even more? Well, I bonded with him even more, but what I'm trying to get to is that... He became so terrified. In fact, I was talking to Harrison about this, you know, lots of people understand what it's like to have suddenly a severe emergency with a child. It's terrifying. So I'm going to cut this short. But they bond, no take your time, they bond to you. Well, and I bonded to him and he was literally the guy that sat up with me taking uppers, right? Because he was terrified of falling asleep, nodding off and then, because what croup is, is it's your trachea spasms and it locks and you just go,

12:12 That's it. And it it was so terrifying for me that I would also vomit. Sorry. This is lovely, isn't it? But this is important. This is real Yeah, so I would vomit I would choke he was terrified and this is like in the Early 60s and there really wasn't the kind of he's making dr. Strange love right now. No, it's it's pre dr. Strange love because oh, that's the other thing is that you know, he also went through the Cuban Missile Crisis and So he was a pretty hysterical parent at that point. He had two very young children, but anyway. He would set himself up, like people do, in a separate room with me and take care of me when I was sick. And because he was so scared of me being sick, he didn't care when I went, right, I don't want to go to school, I'm coming to the studio with me. And I just became like a kind of little pet dog, you know, and I just went everywhere with him. You guys super bonded. Yeah, super bonded. And I think, you know, when you're struggling for your life and that person is there trying to save you, that's a pretty strong bond. So,

13:12 He didn't let me stay anywhere, he didn't go anywhere without every day seeing me and being with me and sleeping mostly in the same room. So I say all this because I don't see how he could have been off somewhere. And I was just talking to a friend of mine that I met on Twitter, Mark Lowe. He's got a show called Deep Thoughts and he introduced me to Bart Sebrell. Astronauts gone wild all that stuff Because really I'd ignored all of that fake moon landing and I absolutely believe that we landed on the moon and everything I didn't want to look at it upset me that people accused my dad of faking this So I hope I'm not going all over the place here, but I'm just trying to a great job. Keep going so You're an amazing person Just relax. Okay so

14:10 Know that for those of you that have children and have a really really special bond with one child I knew my father He was the most important human being for me in my life in this lifetime And we had a very very close loving passionate very argumentative Relationship and you're asking him to respect your father and stop lying about it. I'm saying that I I know that he wouldn't have done that. I know that he couldn't have done that unless he did it, you know, between four and eight o'clock at night, you know. And then here's the second thing. When you make a movie, and all you movie makers out there know this,

14:54 You are doing, you're lucky if you can take a shower, have a quick bite to eat. Oh, Fagin the Moon Landing was like a two-year job. Well, I don't know even if it was a two-year job. And you saw him doing all the jobs. Well, the thing is that's, that is the thing is that when you make a movie and I've been on several of my father's movies so I know how he does it. It's... 24-7 and it's really famous very small crew. He ran everything and he he did all the cinematography He has so many films you see a big name now. They didn't make it your dad. He made everyone Yeah, and I think there's some quote which I'm gonna butcher now where he said that you know Making a film is not like a kind of committee thing and lots of films are every bit's very compartmentalized he

15:34 He said one man has one vision. And so he did everything. And those films are the greats because one person made them, not a bunch of people cobbling. Right. Now, he did have people working for him and through his miserable experiences when he first started in Hollywood where... He was a photographer, so he wanted to set things up and light things much more naturalistic, more realistic. And he told me this story on Spartacus where the cinematographer would stand behind him and like ape him, laughing at the other, you know, electricians, like, you know, because my dad would do sort of that, trying to get shots. Oh. No, I'm pointing them to go to you. Oh, yeah. So, um,

16:16 And so he began to feel undermined by most of the crew that was professional cinematographers. I don't really follow all of it, I follow your father. I know he was an outlier. You guys moved to England, he was very reclusive. The idea that he's with the feds and making fake movies is just preposterous. Well, let me just finish this. I hope this is a labor of love for me to say this, so I hope I'm not boring you to death. Anyway, if he was there, and not if, he was, When you finish filming, he would stay behind with some of the camera crew. He would do lighting tests. I took part in a lot of the lighting tests. We'd stand in for Shelley or whoever. He's having meetings with the assistant directors trying to do schedules. Literally, on 2001, that was the biggest film except for Barry Lyndon that he did. It was massive. It was huge. It was complex, special effects. And 2001 is hands down the film ever.

17:11 You know, I think it's absolutely unique. There's nothing absolutely. No, it is the film. Yeah it well You know anyway, the reason the good the bad the ugly is shot quick and loose and it's like number two to me Well, I'll tell you one thing. There are very few movies that you could say it was a spectacular metaphysical Beautiful and strange film and it's evergreen. Yeah, and you know, it's still the special effects even to this day look amazing But anyway, what I what I'm trying to portray to you is that from 1964 he started working on 2001 and we went to England we had already been in England where he had made Lolita and Dr. Strangelove, sorry, I feel like I'm being terribly boring. No, I'm not boring. Stop making self. Okay. All right. Um, I

18:06 So, I don't know why people can't understand this. But one, I was always with him because of this group. Two, he was working so bloody hard on his film, on the script writing, on the special effects, on everything in 2001. So 2001 had a premiere, I think in like April 1968. And the moon landings were in July 1969, right? Yes. So, everyone can check this. Clockwork Orange came out in 1970. Another masterpiece. And what do you think precedes 1970? 1969. So he's, I was on that film with him as well. He's always ahead of the trend.

18:50 I'm just being so like pragmatic about how I'm just trying to show people he would never have had time to go and... No, I got it. But the more powerful point about your dad is he was anti-establishment. Why would he go do this? Okay, that's another thing. On Twitter a thousand years ago, no, 2016, I think I wrote a really good piece. I don't know if you can get it up. Variety printed it. It's like, you know, Stanley Kubrick's daughter, it's on Variety and it's some, I can't remember it verbatim, but essentially what I said is that how could anyone think that a man who had made movies

19:28 That was so, yeah, that's me. He was actually showing me there, there's a picture of me with my dad next to the movie, in front of the movieola, which was how he edited. It's amazing because if you saw a movieola, you literally only see the sides of a 35 millimeter, you know, you know, thing slightly blown up this big and he cut the whole of 2001 on this computer thing. Incredible. But anyway. Everybody knows huge screens, digital. Your dad's a freaking master. Yeah, I know. He's like looking at a little thing. That's why he's such a master. He did what they can't do today with old technology that was, it's like, I know, it's superhuman. Imagine your dad today with the technology. Oh my God. I feel so sad as well because with these TV series that go on forever. They're unwatchable.

20:13 Well, no, no, no, no. I was just gonna say that his desire was always to make Napoleon But he said to me I just I can't make it in two and a half hours You know, this needs to be a really long you got a little serious. He could oh my god, he would have Absolutely loved to makes these super series that they do on TV I mean he would have when I was not gonna series he would have done a better job. Well, look he was very All right, wait a minute, we're going all over the place. Let me just get back to this point. So in 1968, he was doing all the promotion and he did all his own promotion because he told me that he learned with his first film that if you don't promote your movie, he spent his father's savings, his uncle put money in it, but because he didn't know anything about promotion, nobody went to the cinema to see it and he was heartbroken. So from that point on, he always did his own promotion. He figured out, oh, I can't just make the art, I gotta promote it.

21:06 And he figured out how to do that. He designed and chose his own artwork. He would choose the... He did everything. And I think it's also just because he loved to do it. But as a result, I think the unique product is you've seen something truly from one person's vision. This is powerful. And so you don't get this kind of... Composite. Yeah. What? Composite. Well, I was going to say a dispersal of views. You know, he's kind of like... Anyway... Which is great, the human mind, you're actually getting a right, earnest, actual view, vision. Yes.

21:44 And not only that, but I want to just finish what I was saying about that Variety article, which you can find online. I think it's like Vivian Kubrick or Stanley Kubrick's daughter speaks out on Variety and you'll see the quote that I said, but I'm going to butcher it now. Basically, I said, how would a man who's made films that were, you know, so obviously someone who is, you know, criticizing the elite, You know, criticizing war, which is just slaughter. Criticizing mind control, you know, clockwork orange. And this is a man who is not like going to be going, yes sir, to the CIA. And in fact, I told you about this, is that my dad told me that when he, all right, I'm going all over the place.

22:33 So, back to this point. So, in 1968, he was working on all the promotion for 2001. Remember, promotion is global and you release films in different countries at different times. And in those days, it's all kind of, you know, magazines, paperwork, you've got to like go through all this stuff, read it, find the best quotes, put posters together, make sure the translations are right. So... You know, he was working on all the translations because he never wanted his films to go out to other countries and have horrific dubbing with completely inaccurate dialogue. So he would work on all the translations. You know, it's a huge job if you are the one taking responsibility for the product, and he did. So he was doing all that, and then he started making Clockwork Orange.

23:19 in 1969. So when was he supposed to go gallivanting off to some fucking, excuse me, desert and shoot perhaps some of the most ludicrous footage ever shot in the history of filmmaking? I just want to say something. If you've got a low gravitation, right? It just means you're gonna be lighter. It doesn't mean you're gonna bounce when you walk. I mean, you don't see three-year-olds bouncing on planet Earth just because they're lighter. So here they are on the moon bouncing. Like, I mean, I think they did it. So as a filmmaker, you say it looks fake?

23:55 It's so obviously silly and also if you look at my dad's film when you see the astronauts walking on the moon They're walking kind of slowly, but they're not bouncing like you know You're saying you think there's a lot of fake stuff. Don't blame your dad. It makes sense well now I want to move on to this when mark contacted me mark Lowe who does deep thoughts and Podcast he contacted me and he was so nice and not like the usual arseholes that you know attack me and say yeah I I started DMing him then we got on the phone We were talking and he started explaining to me all the ways in which the moon Information is just ridiculous for one thing. I've I also looked at this and I went, you know anyone who ever had

26:34 My dad faked the moon landing with no proof. He would never do that. I saw him on a shooting schedule. He was busy. We know that. So just because we don't believe the corporate media about what they say doesn't mean we can then just make up whatever we want. I never made stuff up on purpose, but I've made mistakes. And it's important to do that. But I want to play a short clip from 2001 Space Odyssey. This is 40 years and now now no I'm gonna say 40 from the time it happened. Yeah, I'm saying it's 40 years before they had video conferencing. Oh Absolutely, so so imagine this clip is 60 years ago. You're a little girl How old were you in this clip where your archetypal father? of course your dad was actually the you know the maker of the film and

27:24 And so the big globalist, or high-powered NASA director is calling down to Earth for the birthday party or whatever it is for his little daughter. How old were you when this was shot? Five. Five. All right, so here you are. This is a 2001 video conference sequence. Here it is. Will Mr. Travers please contact the Met Office? Will Mr. Travers please contact the Met Office? Hello! How are you, squirt? What are you doing? Where's Bummy?

28:10 Going to shopping. Who's taking care of you? Rachel. May I speak to Rachel, please? She's going to the bathroom. Are you coming to my party tomorrow? I'm sorry, sweetheart, but I can't. Well, you know, Daddy's traveling. Very sorry about it, but I just can't. Oh. I'm gonna send you a very nice present, though. Anything special that you want? Yes. What? A telephone. We got lots of telephones already.

28:46 Can't you think of anything else you want for your birthday? Something very special? Yes. What? A bush baby. A bush baby? Well, we'll have to see about that. Listen, sweetheart, I want you to tell Mommy something for me, will you remember? Yes. Tell Mommy that I telephoned, okay? Yes. That I'll try to telephone again tomorrow. Will you tell her that? Yes. Okay, sweetheart. Now have a nice birthday tomorrow. Okay. And have a nice birthday party tomorrow too, huh? Bye. Okay, now take care and be a good girl, won't you? Bye-bye. Happy birthday. What a visionary. Because you go back to the 60s, this is being made, and I know the globalists had their intergalactic communication system by 61, the whole plan for the internet, all this. They envisioned, we get the technology for this, so it shows what humans envisioned, Vivian, we're able to do. You know, I think that's one of the great

29:54 you know, fun things about artists is that they get to envision the future. I mean, certainly, and this is obviously another reason why they have this spectacular idea that my father faked the moon landing, because he had a lot of NASA people there. But that is standard procedure on a movie, is to get experts. And you know, if you're making a war movie, you get former military, you know, it's just that's what you know. People say I work for Stratford, which is some stupid CIA propaganda firm. It's like a joke because they're in Austin. Austin's 2 million people. What does that mean? Look, the thing is, people have got to take responsibility for this.

30:38 You have to understand that newspapers need to print stuff that people are going to buy and if they if they want to make up lies about you say they can sell newspapers or be sensational they're going to do it. So from this point on I really hope that everyone will believe me when I say 90% of the things that are written about my father, written about Alex, written about so many people are total made-up lies. And then correspondingly, people who actually do terrible things. And I could mention a few Hollywood people who are real criminals. Well, I'm not going to go into that because that's a whole big subject.

31:13 And then they're presented as these lovely people who have these lovely homes and they're just lovely people. And I personally know them to be psychopaths. So it's like, people, you've just got to realize that you'd have to get to know my father. You'd have to be friends with him to know him. Now, I know Alex. I know my dad. And I know that, you know, my dad Was a very you know the last thing he would do is betray humanity So I know we're getting off the moon landing stuff, so I'll stop now, but anyway um I just want to tell you a funny story actually about that that shot and also about the premier. That's why I played it. Yeah That's you. Yeah, that's me But what happened is I had this black dress with a little slit up the side and lace You know black velvet with a rose on it, and I came to the studio and and my dad looked at me went Oh God take her home to change the dress. I was going but dad

32:07 And he was like going Vivian it's black it's boring I don't want to you know I was going but I want to wear this you know classic five right so my mom takes me home and she picks this dress because it's very colorful but it's got no lining and it's wool right Right, it's wool, whatever, I don't know. That's why you're scratching yourself. So, and I'm sitting in front of an arc light, which is like, you know, standing up. Well, that makes it even better, like a little give and act. I know, but I was, you know, obviously thrilled that I was going to be filmed. You were burning up. Well, I was more than burning up. I was itching to death. So that's why I was squirming around. But when we shot this,

32:44 My dad wanted it to be sort of naturalistic. So we were in a stage where there was some other huge set from 2001. So they just put this platform up, because that's where the camera was, and they just sort of turned the camera around. And they made this quick little set, but it was way up in the air. And they put a TV there with my dad on the other end, and he was talking to me. So I was just talking to my dad. You're so smart, that's why it was so real. Yeah. So I was just talking to him. Wow. Wow, we're getting the secrets here. Nobody even knows this stuff, do they? No. Anyway, so come the premiere in New York City and it's a big event and there's lights everywhere and all the celebrities and politicians. It's a big deal. In fact, there's a wonderful clip of my dad standing out there.

33:29 Talking about how there are other worlds and other civilizations in this universe It's it's a great clip. You can find on YouTube. I hope you can find it. We'll do it. What do we type in? Stanley Kubrick talks about other worlds. Well, I think it's Stanley Kubrick premiere of 2001 and it starts off with him, you know at some editing table and it's black and white and then You hear him talk about how anyway, find it you find Stanley Kubrick talks about It is it is Stanley Kubrick's 2001 premiere just put that in. Keep going. Keep going. Anyway, so we were standing out there and I was so desperate being a sad little thing that people should recognize me in the film that I decided to stuff myself into the same dress. Of course, I've grown a lot. So I was standing in this much smaller dress, but you know, I want people to recognize me. Anyway, we went in and it was

34:21 Like, you know, everyone, you know how these premieres are, it's all big stars and yeah, it was a huge thing. Anyway, I'm sitting next to my dad and it's the first 15 minutes and people start getting up and walking out of the premiere. Now, anyone who's been to a premiere, you know this is all networking, super... Try it, the dogs are fine. It adds the fun. It's okay. They're just guarding. I like dogs. It adds the ambiance. I'm glad they're doing it actually. Anyway, so people start walking out and I'm like tugging on my dad's shoulder who you know he must have just been in spasms of horror.

35:03 And I was going, daddy, they're gonna miss the bit with me in it. And he went, Vivian, stop. You know, because I'm all like, you know, anxious about... It's so pathetic, but I will admit to being... Those are great stories. Anyway, so suddenly Rock Hudson gets up and he pounds his way past my father going, I've never seen anything so blasphemous in all my life. Right? So this is the first 15 minutes of the premiere. It's terrifying. You gotta love Rock Hudson being like a Christian. Oh, we have 10 dudes. Oh, here it is. When they're ready with the audio, we'll have it. You guys tell me when you're ready. They got to back up. All right, bracket up, roll from the start. Here it is.

35:39 April 1968 is the premiere of 2001 A Space Odyssey. It is one of the rare occasions that Kubrick still shows himself in public. We started in 1965, early 1965. Well I became interested in the idea that the universe was full of intelligent civilizations which is the current scientific belief. Well the facts in the film only help you believe the story but the Scientists know now that there are about a hundred billion stars in our galaxy and about a hundred billion galaxies in the visible universe. The point is that there are so many stars in the universe that the likelihood of life evolving around them, even if there were possibilities of one in a million, there would be hundreds of millions of worlds in the universe. Before we go to that, I would love to know your dad. What would he think of the world today?

36:35 I think he'd be as terrified as all of us are. I think, you know, he died March the 7th, 1999. So he missed the whole World Trade Center, design of violence, false flag event. I think he would be It's good though in a way that he's they would have blamed him for that too. Oh Stanley Cooper produced this Well, it's kind of an honor like if there's anything's powerful Stanley Cooper did this So in a way you get why they do that like Not really, because I... No, I'm not saying it's good. I'm just saying, you know... No, I know what you're saying. It's... Corresponding spectacular filmmaker, spectacular false flag. Join the two together and you've got... Yeah, I was like, well, he obviously did it, you know. Yeah. No. Alex Jones lives in Austin, therefore he works for this intelligence group. Yeah. I... Anyway, so... So my father had to sit through... I'm now going back to Rock Hudson piling out. And he wasn't the only one. There were quite a lot of people. Like, two-thirds?

37:38 the audience walked out of a premiere. Now anyone who's been to a premiere, you would know that that is almost, I don't think it's ever happened in the history of films. So it's the biggest premiere in New York, it's the big opening, and two-thirds of the audience walk out because they consider that depicting man as an ape was unacceptable in some way. Whether it's true or not, it was a symbol of evolution, which you can argue that all day, but clearly evolution's there. The question is how fast does it happen? Whatever it was, it was just Heartless and rude to do that. These are these are fellow artists, you know, I look at that shot I give him out of that go back three seconds that oh, yeah, the obelisk in the Sun it's beautiful. Oh my god. Actually, you know, what was quite funny even though I can't bear and I haven't watched Barbie the film but the promo for Barbie Did you see that I didn't watch they rip off your dad? Anyway, so two thousand audience walk out my godfather has to work go through the whole film in agony and

38:38 And we go back to the apartment in New York, and of course he's desolate. And then he gets all these phone calls from the studio heads going, this is a disaster! This huge budget film. Yeah, and so they would, you know, my father was just devastated. So how did it work? So then this smaller executive at MGM called him up, and this is like, you know, in the middle of like 2 or 3 in the morning, and I'm sitting there with my dad, right? And, oh, and He calls up and he says, you know, Stanley, don't listen to them. This is an incredible film. Just wait, just wait. People are going to love it. The only one, everyone else was tearing him to pieces, which is so heartless. I just don't even understand it. Anyway, so. It's like to me, the force to Navarone where they blow up the dam and the explosive guys go, just give it a wait. It took a few minutes for it to collapse. It's like, I agree. Like that's what the whole thing is about that.

39:34 Not quite sure about that analogy, but my point is is that Something really big doesn't take hold right away. Well, you know and think of it 1969 I don't know if you've watched anything on YouTube or the dribbly shit. Excuse me. Um, that was on TV mindless crap Yeah, absolutely. It was like Elvis in a while Yeah, so anyway We stay up all night and we go to the first show, 10 o'clock in the morning, and we look around, you know, see if anybody's there. And there's kind of a line. And then we go to the next show and the next show. And anyway, by the evening, there's crowds all around the cinema.

40:12 And so my dad, you know, having been out for like 48 hours, you know, finally gets this payoff that he sees that people truly do want to see it. So the critics didn't matter, the establishment didn't matter? Well, you know, and this is part of... There's that last scene with like the reborn human, it's like, bzzzzz, like you have a soul, you see it, it's like, nyeh. But of course the establishment didn't see it because they're satanic. Don't even don't even get me started but I want to tell you artists and filmmakers an interesting thing here is That baby at the end of 2001 and and it also happened on the shining He could not decide how he wanted to end the film and he told me that even while they were in filming filming 2001 he still hadn't figured out how he was gonna end it now anyone who's

41:04 You know responsible for a huge film like that you can imagine that it might be terrifying but his viewpoint was that somehow he had total faith that he would think of something and So the baby just kind of came to him as a a way to end the movie. Like Plan R? And all the stuff that came tonight. Well, you know... We're gonna talk about that next hour, or what are you talking about now? But I mean, your dad, you told me, come on, get it all out there. He would just get this stuff, and the government would come to him. My mom was a kid. I'm like eight years old watching Dr. Strangelove. My mom goes, yeah, he knew how the coders worked on the B-52s, and the government came and said, how'd you know? And I actually let her like, yeah, he just kind of came up with it. That was what was great about your dad is he somehow knew stuff.

41:51 I think artists, you know, I mean, I would love to go into the architecture of who we are as beings, but I really believe that we have lived many, many, many, many times. And I think that artists have an innate ability to channel and draw in all kinds of really deep stuff. And we don't know how long we've been crashing around in this universe or what we really know beneath our conscious awareness. But yeah, I do think that he was very psychic. He certainly was psychic with me. You know, he would know things about me and And be waiting talk about your dad talk about that. I just want to can I just want to finish this thing? So he always said to me and I'm going back to this idea of him having the confidence and calmness that he had faith that he would think of an idea for the end of 2001 or the end of the shining and he said to me the only thing you need to know as an artist is

42:51 The only thing you need to be able to do is to be okay with not knowing what you're going to do and being okay with it not working out. Then you can be an artist. That's how I feel about InfoWars. It's just God's going to make the next step. It's like, just do it. It's intention. It's a pure intention where you just know, you don't know how, but you know that it's going to come through. Like, you know, on Full Metal Jacket, I literally had like no time to write the music. I had like less time than most professionals. And it's amazing. And I'd never done it before in my life. You can't do like, I can't make the sound. Anyway, so the last most important cue,

43:32 My dad called me up and he said, okay, you're gonna have to do this, you know, record it live, Vivian. We gotta get it to the dubbing station tonight or we're gonna miss all the openings in the theaters in America. So it was like super hardcore pressure. Because he would always go right to the end, make it the best he could. Yeah, everyone does. You always go down to the absolute, like, you know, 11th hour of the 11th hour. Anyway, and so I had a lung infection. I had eczema all over my body. My periods had stopped. I'd had about, like, you know, two hours sleep every day for like three months. So I was absolutely like broken at this point. And I was lying in the bath in the morning going, okay, I have six hours to do this. I will write it. I will get it done.

44:14 He came to CTS Studios and there was a big Tina Turner concert going on and we actually got trapped in all the traffic and we were late and we had to do the dubbing at two in the morning at Pinewood to get out. But he sat there with me and I played all of this in the final scene of Full Metal Jacket. I played all of it live and he just sat in the back of the studio and he just said, yeah, I like that. No, I don't like that or whatever it was. And I literally, I just did it. I mean, I have no idea how I did it. And then I went with him and we were in the dubbing stage and we were all, everyone's so exhausted at this point. And he had had me separate out all the tracks. This is only interesting for people who write music maybe, but I'd separated out all the sounds on the track so that we could mix it on the stage.

44:59 Into the dubbing and to me being like 10 years old watching or 12 11 what for metal jacket? Yeah, it was the most powerful thing about it was the music. Oh, thank you I love like the rock and roll awards the bird That was all great. But the stuff about that was like that made it like whoa that music was amazing Well, thank you. And I am anyway I just want to say is that he was trying to like mix it and we were also times Daddy, but God say you're pushing up the wrong thing. So I like pushed him out the way It's the one thing about being the child of the director. Is that your behavior is takes on the form of something in the household as opposed to professional. So I like shoved him out the way and I said, let me do it. And literally when I finished it, because I knew where the sounds were coming up and had, you know, he wanted to back down certain sounds that were kind of cutting into the dialogue. So I had to, you know, ride that. Everyone who mixes knows what I'm talking about. And then literally I just lay down on the floor of the dubbing stage.

45:54 And I just I could not believe that I'd done it, but I'd done it. I'd finished like with Everything taken away from me How satisfying was that? Incredibly satisfying so you see and many parallel levels. I relate so much to your situation I relate to the peril of it the experience of losing You know having things taken away and then given back but all the time is your intention to do it to get it done and And you know, I know... That's all that matters. Well, it's the closest thing to the manifestation of your eternal spiritual being. The power of that. When you have a really passionate intention, which you have Alex. And that's really, you know, why I'm here. I want to support Alex. I always wanted to support Alex. I've been listening to him for, God, it must be nearly 20 years now.

46:47 It in the same way that it hurts me when people lie about my father. It hurts me when people lie about Alex They always choose the most unflattering and not in any way representative of the true value of the information that he imparts. I mean, you know, Alex is a wild cowboy. You know, he has his personality where if you want to take clips of it, you can make him look really silly. But he's incredibly brilliant, incredibly intelligent. His bravery is, you know, absolutely astounding. And that's another thing with my dad. You know, he was really brave. He had to stand up to a lot of

47:28 Cruel. Uh, crap. I'll give you an example. The point you're making is he was the anti-Hollywood. Admit your dad lived in England with you. He had nothing to do with Hollywood. He did whatever he wanted. I'll tell you what. He obviously had to be in Hollywood at the beginning to make some kind of career. And Kirk Douglas really gave him the big break. I think Kirk really wanted to support him. Spartacus. Well yeah, and although my dad wasn't, that wasn't the kind of film he wants to make, Kirk gave him an incredible opportunity there. Anyway, what happened is that he didn't like Hollywood, and when he got to England because they had this tax relief for anybody who would make films there, he went there to make

48:06 Movies and he loved it and he loved the English people and he loved not being in Hollywood and he never went back We spent a lot of time just on 2001 and your dad obviously didn't fake them when landing could've been much better done Every day. No, I wish people would stop saying that he wouldn't have done it and it wouldn't have been better or worse or anything We've hit that I want to shift gears into Whatever you want to talk about the next hour. You're so we're so blessed to have you here Vivian Gilbert, but I want to talk about wherever you want to go, but I want to talk about Eyes Wide Shut. I want to talk about what you know, you told me some personal stuff, whatever we get into, but I've had more of these experiences you told me about since then.

48:48 Well, we're all this ether all connected and like, you know your dad like literally knowing how the scramblers on the beefs to do his work And they came to him the government came. Is that true? Remember you told me years ago about it, but the government comes is how do you know this your dad just knew it? I mean that is amazing. Well, actually I was talking about something different. Um, I'm over memory. Remember you told me a lot of this like 15 years ago. I can't even remember what I did yesterday. So My father was a pilot. He flew planes. And he, so I am sure that he met, when he was working for Look Magazine, he flew a lot of places, took photographs. He was a young man, right? So he dug all this kind of stuff. And then he had a near accident. He nearly killed the people and himself on the plane. And in true tunnel vision, he decided that if he could have such an accident, then anyone else could. So then he decided to never get on another plane, and he never did.

49:46 And he didn't let me get on a plane until I practically blackmailed him by saying my boyfriend would pay for it. But anyway, he- Is it true the government came to visit him about- Well, this is what he told me. Hold on, we gotta go on a break. Hour number four. I'm sorry, I'm going to be intense. Don't worry. This is super exciting. Our number four is straight ahead with the great Vivian Kubrick. I'm gonna give you a break with your dogs. We're gonna hear some promos for five minutes and we'll be back. When you visit drjonesnaturals.com, you'll find amazing brain boost nootropics like Top Brain. It's incredible, but it still uses classical systems to stimulate the neurons in the brain and to give you energy. Next level foundational energy does not do that.

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51:15 Everybody should experience it. It's discounted now, right now, and exclusively available at drjonesnaturals.com. That's drjonesnaturals.com. There's a lot of other amazing products as well at drjonesnaturals.com and they keep my show on the air. So I want to thank you all for your past support and encourage all of you to visit drjonesnaturals.com right now. And for breaking news and updates, be sure and follow me at RealAlexJones here on X. The pivot I was like 11 years old or so. Visiting my uncle and aunt in San Antonio and he'd been in special operations. And I went to the movie theater with them and I remember watching the whole movie Blooming Away, football jacket.

52:06 It's like two different worlds. They're in boot camp, now they're in this hellhole. But the music that you produced for this was so haunting and so touching. Thank you. No, it's true. I'll tell you something about it when it's finished. That noise that sounds like scaffolding is a coin falling on a table that I recorded and then I played it slowed down on because the Fairlight in those days, the sort of sampler things would lower the Pitch of something by just playing it slower. So that kind of thing that sounds like rolling scaffolding is actually just like a 10 penny piece No, the thing that sounds like you know scaffolding those metal pipes that go wrong that sound that is a coin dropping on my table Actually when I this was the first I'm gonna tell you a little bit about this how I got to do the score of the film is

53:13 Oh, okay. So I was 26 at the time and I was really desperate to just free myself of my associations with my dad. I didn't want to be Vivian Kubrick. I wanted to go into the world and have a different name and just escape everything. Because most people don't understand this, but when you're the child of someone who's extremely famous, in many ways it capsizes your ability to have a normal life. And, you know, people do really strange things and they try to use you and manipulate you to get opportunities and show business. It's just, it's icky. Anyway, and I was determined to go to America and be free of all of it. And my dad, I, you know,

54:00 He he really didn't want me to go but he also wanted to show me what I was capable of and So he said I want you to do the music for for metal jacket I said dad all I've ever done is like love songs and things. I mean, how am I gonna do a score like this? And and plus I don't even know how to do it. He said um, I I'll get you the Fairlight. I know you can do it. And I was saying, no way, dad. Look, I'll find music for you, which I think is great. So I found all this kind of very militaristic, you know, kodo drumming Japanese music, which is so powerful, it's so terrifying. And he was at the dubbing theater trying to use the track that I'd chosen over a TV commercial. And he called me up, I said, Vivian,

54:48 It's too busy. Listen, can't you just do something? Just do it. I know you can do it." So I said, oh God, all right. So I don't know if it's on the... Oh yeah, it is. I can't remember if it's on the album or not. But anyway, I wrote something and then my dad went, it's fantastic, I'm using it. And I was like, what? You know, I thought he was just saying it because he wanted me to stay in England. And then he used it and he said, Vivian, goddammit, just please do it. So that bit of music that you just heard there, he got me the fair light.

55:26 And actually, it's quite funny. Hans Zimmer, who's now quite the, you know, the auteur of film composers, at that time he was working at a place at Lilleyard. And Hans taught me how to use the Fairlight in like three days. And I think they all thought that I was going to fail abysmally. But I did my first recording at Lilleyard. And I'll never forget it. It's the actual track from when... Oh God, I can't remember the character's name now, but he's the one that gets bashed with soap or whatever. And it's that kind of track where it kind of goes... Private pile. Yeah, and it's where it goes...

56:08 I can't go low enough. Right. So anyway, I brought my huge floppy disk in to the studio and they said, oh, there's nothing on it. It's empty. And I went, no, no, no, look, look. And I pointed at the one note that was on the page. So you can imagine what a loser they thought I was that there was just one note on this bar repeated. And so Hunt said, Let's get that note up on the desk." So it was sort of like, oh God, they think I'm an idiot. Anyway, that's just kind of nightmarish. It's all amazing. You want to read something out of a news article you wrote about your dad decades ago, we're going to get to as soon as they're ready for it. They printed it off, but it didn't, I think with subscribers, we have to find it. But let's talk about your dad's last film, Eyes Wide Shut.

56:55 I mean, we know now Satanism, pedophilia, the New World Order, it's all out in the open, it's all exposed. How did your dad come up with Eyes Wide Shut? And then there's a lot of intrigue in and around that. And you told me more than a decade ago, and I'm going from memory on this, that your dad literally envisioned this. He like just came up with it from the ether. Uh Well, honestly, I don't remember saying that oh, thank you so much. Well, then we'll get to that in a minute But just we'll get to his earlier stuff, but but just get into the eyes wide shut Okay, so back in the 80s Steve Martin and his girlfriend Bernadette Peters came to our house and at that point

56:08 I can't go low enough. Right. So anyway, I brought my huge floppy disk in to the studio and they said, oh, there's nothing on it. It's empty. And I went, no, no, no, look, look. And I pointed at the one note that was on the page. So you can imagine what a loser they thought I was that there was just one note on this bar repeated. And so Hunt said, Let's get that note up on the desk." So it was sort of like, oh God, they think I'm an idiot. Anyway, that's just kind of nightmarish. It's all amazing. You want to read something out of a news article you wrote about your dad decades ago, we're going to get to as soon as they're ready for it. They printed it off, but it didn't, I think with subscribers, we have to find it. But let's talk about your dad's last film, Eyes Wide Shut.

56:55 I mean, we know now Satanism, pedophilia, the New World Order, it's all out in the open, it's all exposed. How did your dad come up with Eyes Wide Shut? And then there's a lot of intrigue in and around that. And you told me more than a decade ago, and I'm going from memory on this, that your dad literally envisioned this. He like just came up with it from the ether. Uh Well, honestly, I don't remember saying that oh, thank you so much. Well, then we'll get to that in a minute But just we'll get to his earlier stuff, but but just get into the eyes wide shut Okay, so back in the 80s Steve Martin and his girlfriend Bernadette Peters came to our house and at that point

57:35 I think it was called Trauma Novel, novel, something. I can't remember, it's German. And that's the story that he based Eyes Wide Shut. But at that time, he decided it would be good as a comedy. Can you believe that? So Eyes Wide Shut was originally going to be a comedy with Steve Martin. They never met a comedy though. What are you talking about? Doctor Strange love. Well, yeah, it's the ultimate comedy, but also I think it's serious. Oh, yeah. It all came true. No, no. Well, actually there's some interesting story on that. So anyway, he was going to do it and Steve Martin came to our house and he did wonderful magic tricks. Oh my God, he's the most amazing, amazing, like close, what do you call it? Close hand tricks. Anyway.

58:16 So he's... Well, yeah, but it's like close work. Have you ever been to the Magic Castle in LA where you get to see the Las Vegas magicians right in front of your face do these insane card tricks? Anyway, so he's fabulous and he was very sweet. My dad really thought that he wanted to do it with him and make a comedy. But, you know, in the end he just kept that on the back burner for like 30 years. And I think I think what happened is that he was going to do a Holocaust movie. Again, I want to tell you a story about this. So he was going off into Europe to find locations to do this Holocaust movie. This is prior to Eyes Wide Shut. And when he tried to come back to England, the authorities went, sorry, you can't come back. And he lived there for like 40 years. So he had to get lawyers to just get him even back in the country. Why did that happen?

59:08 Well, so the same thing happened to me when I was just 15. I was in Germany, I came back to England and the passport officer went, is your father Stanley Kubrick? And I went, yeah. And he went, right, you've got to leave in six months. And I said, but I'm a little girl, I'm in school. You know, and I had to, my dad had to go to the, Ambassador at the American Embassy in London to get this taken off my passport I do not understand what this is about but the Intimidation the attempt to intimidate they were not happy about the films he was making And but I also just think it's spitefulness Jealousy yeah people think when you're super avant-garde and famous like a super beautiful woman. They think oh everybody loves her you

59:54 Truth you're nice to a super hot woman and sweeter She's easier to get than a regular girl because they get messed with because they're so beautiful Yeah, I mean there's you know that speaks to the state of consciousness on this planet And that is really I think the reason why I am being so open and truthful Is this is the time for truth people? This is the time to be as real as you can be and to explore and the incredible power that exists if you're willing to be fully real in this world. So let's move from your dad before we get into Eyes Wide Shut for a minute. Let's talk about, you're a smart lady in your own right. How would you call this moment in the world? What's happening? What's going on? The huge awakening but also the huge evil arising. What is this time? Well I certainly think it's an invitation to be more than human.

1:00:44 to begin to, and I certainly did a lot of work on this, because part of the time that we're living in is if we don't evolve out of this kind of punishment, tooth and claw world that we as beings have created over, you know, I guess what I'm trying to say We are spiritual beings but we're like a composite. You know, I have this physical body, this body could probably walk around without me in it. It's got its own unended, unbroken line all the way back. You know, I am an unbroken line of sperm and egg all the way back. It's got its own intelligence.

1:01:31 The vehicle has its own intelligence. Right, and I, a being, a consciousness, I also have this monkey riding on my back. You know, I'm riding on the back of this body, but I have another monkey, my mind. And I know people don't like to talk about it. It's true, I have the same vision. We're interfacing with this Earth suit, but it's like a drug to be here if it takes control of the actual consciousness we're destroying, because now we have nuclear weapons. We have to go next level where we're all at. Well, you've zoomed in on a very specific and very real danger, but I'm just trying to analyze the architecture and by looking at it and being aware of it, to then be able to

1:02:12 to cut across the way in which our mind controls us. Like anyone who's read Eckhart Tolle, The Power of Now, where he says, you know, you are the witnessing consciousness and all the noise and the pictures and the movies and the memories going on, that is this separate thing, your mind. And you know, the Buddhists talk about it as well. It's such a well appreciated, I don't know how understood it is, but I would say that if we don't start to separate from the mind, We are going to mean you know they say that we repeat history or that history is a rhyme. There's a reason we're Dramatizing these things we're controlled by the matrix when neo goes there about the Troy sign he goes This is the 179th time. It's happened. It's like it's I haven't watched that Point is they're telling you what they're doing there. It's over and over again right and so I think that it's like a problem trying to be solved

1:03:08 What I'm getting at here is that, you know, we were talking the other night about this, of really becoming calm and to fly at a really high altitude, to communicate at a high altitude, not to scream, not to have hysterics, but to really get a grip. This is the opportunity we have on this planet right now. I think that, you know, we could talk about dimensions. I even could foresee that if we manage to get through this huge Step in conscious challenge. Yeah that we might even move into a different dimension. I think that's what's happening well, and so The problem is for most for most people who have gotten to some kind of level where you know I mean forgive me I have to at least make it clear I feel like I've reached a level where I can recognize the difference between my mind which is just

1:04:02 you know, torturous sometimes, and me, the thing listening to it. And once you start to kind of tease that apart... you become much less affected by all the roaring emotions and reactions and, you know, repeat, you know, like, let's say you've embarrassed yourself. You know, don't you see it over and over and over again, and you're trying to go, oh my God, how could I have said that? How could I have done that? You know, all that is your mind torturing you. You know if we if there was some mechanism by which we are prodded to make evolutionary progress It must be this relationship between this thing we call our mind which I think is like a repository of all of our memories and experiences in this particular figure physical universe and you know our language makes

1:04:53 makes all these pre-concepts, like you say the physical universe, as if this is something separate from thought. You know, for all we know, this is all just thought forms that we go into agreement as being solid. Exactly. It's our group mind that consensus builds us. Right. And I just want to say, you know, a lot of the things that upset me is the way people throw away avenues of exploration that you could go down because the mainstream news media tells you not to go down it like that. But it's only an instrumentality of the eternal soul to navigate. It's only an instrumentality of the eternal soul to navigate. Whatever it is is a war game. And they say don't worry of anything, but whatever it is, it's our mind experiencing and it's our mind navigating. Well, sorry, this is what I'm trying to separate out. The mind. No, I understand. I was saying that's what we get into is trying to navigate through the mind instead of the soul. Oh, hello. There we go. So right now we could all crap ourselves, get really depressed, give up.

1:05:53 And that would be the mind in control, right? So it's a test of like in Dune where you put your hand in the box to get over the fear. You have to separate yourself and realize this is all just a test and transcend it. And let's say it isn't a test. Let's say, you know, that if there's any purpose to this universe, it must be, it has to have a purpose. This is not a purposeless thing going on. This fantastical thing didn't happen. Accidentally or without purpose. You don't make a cup of tea by accident. This is like a trillion times a trillion that. This didn't happen by accident. And so, I believe That we are meant to evolve and how are we going to evolve if we're always comfortable? We're always just going to sit on our arses and like scratch our toes and not do anything. And so to be challenged in this way, I mean, this is the super challenge of, I mean, I didn't want this to be happening in my life. I got enough of my own problems and things that I got to sort out. But when 2020 happened,

1:06:52 It was like I every day I did something and I just want to say something else if Alex never did anything else But warn people about this bioweapon and the vaccine his entire 30-year career meant everything Alex and all the people here that are that was our most important work You saved millions of people and you forced everyone. Sorry. Sorry Mike. I'm going We're not making a movie here, it's alright. It forced people to do battle with the truth. And I know, because I went into supermarkets without my mask on and got thrown out and then I'd argue with the manager and I'd show them, by the way, you know, thank you to Judy Mikovits.

1:07:41 She produced this thing that you would show to people saying that they have no right to question you about your health or anything else. But you've got a medical exemption to wear that stupid, ridiculous mask. That's a sign of slavery. Well, and then you know what? It was a- It's a tone of shame. But it's worse than that. The first week that that whole bullshit started, I looked up online masks for flu pandemics. And it's like these big canisters, it's like if you're gonna spray a car. You know, huge thing all over the place. You gotta make a space suit for it to work. Yeah. So I, by the way, I've been permanently suspended from Twitter and I don't know why it shows my account is there every time I've tried to contact them and say, please, I can't get into- We'll try to get a, we should get you reinstated. I don't know if people can probably talk to you. Well, anyway, but I got, you know, banned, suspended, told that I was a bad person.

1:08:33 Bad person for telling the truth and what you've been vindicated so real quick back to eyes wide shut and read that at the break So so how did you remember I'm talking to you in like Dallas when I first met you like 12 30 years ago How did your dad envision this was gonna be a comedy? How did he come up with this people ask about eyes wide shut? Look, I'm gonna disappoint everyone terribly. I don't know. At the time I was in America and my dad wanted me to do the music on Eyes Wide Shut, but I was still in my kind of, oh my God, I must find out who I am, I'm such a mess. And I didn't wanna do it. But he would talk to me about the film and he even asked me,

1:09:21 Because I was studying the Kabbalah. Let me just say now, I don't have any, I have a no-holds-barred viewpoint on examining things for myself. I'll read books by Satanists, you know, everyone knows that I'm a Scientologist, even though everybody seems to have a problem with that. No one will believe me that I've been in Scientology for 27 years and everything that I learned there saved me. So I know that people have a problem with it. I know that you've said things about Scientology, but what I find so interesting is people won't actually look at it. They won't look at the information and it's some of the most valuable information. It's not, you know, hazy, nebulous nonsense. It's research, it's observational stuff, and having studied homeopathy myself and alternative medicine and having done light healing,

1:10:16 I promise you, we are so crushed down in what we're allowed to look at and what we're allowed to- Sure, so I'm not gonna criticize what I'm asking you. No, I know about- What I'm asking you is personally. Looking at all this and like you know where it's all going specifically eyes wide shut like what your dad just came up with a side in a make this movie No, I I think that he wanted to tell me years ago like 12 years ago You said your dad was super psychic in which he obviously was And I hear you hear these stories the news most of them are wrong That he came up with like the battle plans the codes that said the planes the government came and asked him How'd you know that is that not true?

1:10:55 I don't remember him saying that I don't mean to contradict you but um No, it's in the news. I want to say if it's in the news, it's probably complete nonsense, but um, sorry Let's just deal with this eyes wide shut So I don't know very much about eyes wide shut because I was still keeping myself separate from my dad and no it wasn't because I was a Scientologist it was because he and I were in this battle with each other because he he loved me and he missed me and he wanted me to work with him and I I Just didn't know who I was or what you know, I'd lived my whole life with my dad You know I told you about being very sick as a child and always being with him and then on when I was 16 I worked on the shining in the art department and I built models and did and then he asked me to do the

1:11:47 you know, making of The Shining. So I was always working with him. You're on your voyage of discovery, but finishing up then with Eyes Wide Shut. So I don't know much about Eyes Wide Shut. What happened is I was going to do the music and then my dad and me had a terrible fight on New Year's Eve 1998 and I went, that's it. You know, I love you, I know you love me, but this has gotta stop. Because I just felt like he wouldn't let go. So I don't know much about Eyes Wide Shut, but it was one of the most heart-breaking

1:12:23 Traumatic. Sorry. It was very sad when he died at the end of it? It's that, it was that, that you know, I was trying to separate myself from him. Not because I didn't love him, but I'm sure people can understand this. You wanted to be independent. I just didn't know who I was without being connected to him. So he eventually accepted the fact and we wrote these letters to each other.

1:13:03 And then he had found a track by Jocelyn Pook and I guess he sort of scrambled to get some more music for the film, but he actually died before the film was even dubbed. I heard they cut 25 minutes from it. I don't know about that, but I do know that that Warner Brothers had a big problem with some of the nudity which was you know, they always do those film studios where they You know, they they want the film to get the best Certification so they can get the biggest audience. They don't care whether it ruins the film to be honest with you As long as they could sell seats, which I you know, that's their job. But anyway And so they didn't want the nudity now. I know if my father had been alive he would have fought that

1:13:49 But anyway, I don't know about this 20 minutes. I really wasn't involved because I'd had this, you know, catastrophic break with him on, you know, January. That's painful for you because that happened before you could read any night with him. Pardon? He died before you could read a night with him. He died. I called him on January the 9th, 1999, and I said, that's it. I'm not going to work on the film. And it was really, it was to do with our personal relationship. I would have loved to have done the music, but I, I, you know, stay there. We got network breaks on satellites back at four minutes. Amazing interview. You're doing a great job. I want to shift gears when you finish up, you want to finish reading that stuff too as well. We're going to do a bunch of other films straight ahead. The deep dive on Stanley Kubrick. Stay with us to keep my broadcast on air. It is more critical than ever that you support our sponsors.

1:16:53 And you're laying your soul out here to talk about art, talk about culture, talk about the world. Shifting gears, you got cut off by the break. You keep wanting to read this article from a long time ago about your dad. And then we printed off only half of it. You finally got it. I want to get this out of the way because it's important. And then I want to move on just to your overall view because you're a smart lady. We talk on the phone every few weeks or so. You've given me a lot of great advice. You've been dead on about things. I want to talk about big picture, shifting gears out of your father and you just to your knowledge about the world. Well, first of all, I wanted to read this because I think it's, I said it the best in a tweet about my father. And anyway, so I posted it July the 5th, 2016.

1:17:38 At that time, I think they had claimed anyway to have landed something on some Jupiter moon or something or whatever. And of course in 2001, they're trying to head for Jupiter. I believe in the original story, they were trying to head for Saturn, but they couldn't fake the rings. So they chose Jupiter instead anyway. So... Regarding the faked moon landings, surely, exclamation mark with a question mark, an artist such as my father whose profound degree of artistic integrity is self-evident, whose political social consciousness is manifestly present in nearly every film he made,

1:18:17 Who's highly controversial subject matter literally put his life at risk, and I just want to tell you sorry I've stopped reading this he had no take your time. I had many death threats I personally had to deal with a guy who was demanding millions of dollars from him while my father stood in a bush with a gun Point you know you just don't realize how crazy it can get for people when you're super famous. It's crazy well I But dangerous. You know, we were on Barry Lyndon. The IRA tried to kidnap us, the children, and I had to sit in a hotel in Froome for three months with the curtains closed. By the way, I think I love all your dad's films from Spartacus through to Eyes Wide Shut. Barry Lyndon's my less favorite. I know that was his big passion project, right?

1:19:04 It's great film. I'm just saying it's like it's like Mount, you know Mount Everest is the biggest and there's the next one. It was kind of like those are like 27,000 feet tall. This is like 20,000 feet tall, you know I think my dad always said to me that he wanted to do films and stories that really really interested him if for no other reason then He knew he was gonna have to be with it for several years. I was interested in French history what Napoleon? Yeah, the same reason he was fascinated by Hitler you know. God he should have made a Hitler movie. Oh, about Bunker. Downfall is incredible right? Isn't it amazing? That's one of the best films. Oh my god what's his name? Gunter? Yeah it's amazing. It was incredible. I watched that film like 10 times. I know. It's so powerful. Oh my god. Anyway. Well that's not some western propaganda. The Nazis wrote in their notes what he did. That's all like what he, everything he said they wrote down.

1:19:55 Look, don't get me started on Hitler. Total lack of... Well, actually, you know... What do you think his essence was? I just, you know, going back to the business of us being eternal spiritual beings and the mind... You know, Eckhart Tolle said it best, you know, he said that, I think therefore I am is probably one of the most, I'm butchering this, sorry, one of the most inaccurate ironic statements of all time because it's the thinking part. I am therefore I think. Well, I am. Boom, you know and you know a guy was sorry. I'm going all over the place again Okay, a guy who's a friend of mine. It's very religious. He sent me this thing saying, you know You must do God's will every day. You must try and do as well and I said and I wrote back to him I said God is part of me and I am part of God and that Union and doing my part in that connection is what I'm gonna mess the laziest button

1:20:55 The philosopher Silesius, I think you mean? Is it? Well, I thought I'd invented it. These are archival truths we know. Well, that's the thing about truth. You know, it's forever. You know, there's some truths that are just like a constant in the formula of existence. So imagine once this interview is over, what else do you want to impart to people? Because you're smart. Well, I want to finish this. I want to finish this by the end. Start over. I haven't interrupted you. No, I interrupted myself. Start over now. Okay. An artist such as my father, whose profound degree of artistic integrity is self-evident, whose political social consciousness is manifestly present in nearly every film he made, whose highly controversial subject matter literally put his life at risk, and yet he continued to make the films he made. Don't you think he'd be the very last person ever

1:21:47 to assist the US government in such a terrible betrayal of its people. There are many very real conspiracies that have happened throughout our history, are happening presently. I'm only too aware of the dreadful manipulations perpetrated by government secret services, banksters, the military industrial complex, etc. But claims that the moon landings were faked and filmed by my father? I can't understand it. How can anyone believe that one of the greatest defenders of mankind would commit such an act of betrayal? My father's artistic works are his unimpeachable defense.

1:22:25 Finally, my love for my father notwithstanding, I actually knew him. I lived and worked with him, so forgive my harshness when I state categorically the so-called truth, these malicious cranks persist in forwarding that my father conspired with the US government to fake the moon landings is manifestly a grotesque lie. the Dr. Strangelove now knowing history about Curtis LeMay and LL Emmett's are in a real plans to do this He makes it only a few years after they tried it and Kennedy fires them over it. This is dark comedy This is dark satire, but it is next-level epic that we're living today. I want to play a clip of

1:23:26 at the end of Dr. Strangelove about the mind shaft gap because now they're actually talking about we'll live in bunkers, the globals are building them, everybody else will die and this beautiful future like Black Plague 2.0 after it comes. Let's play this club about the mind shaft gap and let's come back at your take on what I believe is your father's masterpiece. It's hard to pick which one but I mean... I agree with you. I love Dr. Strangelove. Wow, I didn't even know we hadn't said that so obviously it's a very close It's very hard to then say Clockwork Orange isn't, but I've got to say it's Dr. Strangelove. Here it is. Mr. President, I would not rule out the chance to preserve a nucleus of human specimens. It would be quite easy. At the bottom of some of our deeper mineshaft, radioactivity would never penetrate a mine some thousands of feet deep.

1:24:23 And in a matter of weeks, a sufficient improvement in dwelling space could easily be provided. How long would you have to stay down there? Well, let's see now. Cobalt sodium G. Radioactive half-life of... I would think that possibly 100 years. You mean people could actually stay down there for 100 years? It would not be difficult, mein Führer.

1:25:08 Nuclear reactors could... I'm sorry, Mr. President. Nuclear reactors could provide power almost indefinitely. Greenhouses could maintain plant life. Animals could be bred and slaughtered. A quick survey would have to be made of all the available mine sites in the country. But I would guess that a dwelling space for several hundred thousand of our people could easily be provided. Well, I... I would hate to have to decide. Who stays up and who goes down? That would not be necessary, Mr. President. It could easily be accomplished with a computer. And the computer could be set and programmed to accept factors from youth, health, sexual fertility, intelligence, and a cross-section of necessary skills. Of course, it would be absolutely vital that our top government and military men be included.

1:26:06 to foster and impart the required principles of leadership and tradition. Actually, they would breed prodigiously, eh? There would be much time and little to do. But with the proper breeding techniques and the ratio of, say, ten females to each male, I would guess that they could then work their way back to the present gross national product within, say, 20 years. But look here, Doctor, wouldn't this

1:26:42 nucleus of survivors be so grief-stricken and anguished that they, well, envy the dead and not want to go on living? No, sir. Excuse me. Also, when they go down into the mine, everyone will still be alive. There will be no shocking memories, and the prevailing emotion will be one of nostalgia for those left behind, combined with a spirit of bold curiosity for the adventure ahead. Ha!

1:27:28 Doctor, you mentioned the ratio of ten women to each man. Wouldn't that necessitate the abandonment of the so-called monogamous sexual relationship? I mean, as far as men were concerned. Regrettably, yes. But it is, you know, a sacrifice required for the future of the human race.

1:28:05 I hasten to add that since each man will be required to do prodigious service along these lines, the women will have to be selected for their sexual characteristics which will have to be of a highly stimulating nature. I must confess you have an astonishingly good idea there, doctor. Thank you, sir. I think we ought to look at this from the military point of view. I mean, Supposing the Ruskies stashed away some big bomb, see? And we did. When they come out in a hundred years, they can take over. I agree, Mr. President.

1:28:43 In fact, they might even try an immediate sneak attack so they could take over our mineshaft space. Yeah, I think it would be extremely naive of us, Mr. President, to imagine that these new developments are going to cause any change in Soviet expansionist policy. I mean, we must be increasingly on the alert to prevent them from taking over other mineshaft space in order to breed more prodigiously than we do, thus knocking us out to superior numbers when we emerge. Mr. President, we must not allow a mineshaft gap! Sir! I have a plan. Resume! What a genius film. I mean it talks about paperclip there, it talks about Kurt Lissomé and Ella Limbush's plan to nuke Russia first. I mean it's all right there. What a genius film. How did your dad make that? Which we both agree. Shawn Kubrick's protege daughter right here, Vivian Kubrick. How did he come up with that masterpiece in the early 60s?

1:29:42 Well, first of all, he was living in New York when the Cuban crisis happened, the Cuban Missile Crisis, and he said it was the most terrifying time. He had three children. Anyway, his friends and him got together. They tried to look at the wind patterns. It was a terrifying experience, and so he wanted to do a movie about nuclear war. And he found this book that I think was written in 1957 called Red Alert. And at first he was going to make it as a serious film, but every time they wrote dialogue... It was so insane. Oh, it's much better. It's comedy. Yeah, but no, but he said they he said I found on air by my own coping mechanism when I'm saying the most sick horrible stuff is true I have to make a joke because I can't even say it normally. Well that that is the whole business of black comedy So he but he discovered it, you know They were gonna make a serious film and they were writing the dialogue and then he was going he kept like I know there was it was funny and that's when he went well this needs to be actually well, I'm sorry

1:30:45 I'm sure, let's just nuke the Russians first. It's like it's crazy. It is. Yeah, I mean, hello, we're back here again, everyone. In fact, it's even more dangerous. But anyway, I just wanted to tell you a funny story for all you film fans out there. That when Peter, who was so brilliant, Peter Sellers in that movie, he was so goddamn brilliant. When he was doing that scene of Dr. Strangelove in his wheelchair, my dad told me that he just kept doing take after take that was so flat, so nothing going on. And, you know, people go about my dad, you know, doing so many takes, but the whole thing is he said, look, we've done all of this stuff to get to this point. This is the moment where we get it in the can. This is what we've done all this pre-production and building sets and writing. You know, this is what it's for, so let's get this right. Don't you want to get it right? So, you know, a lot of actors push against that because they panic if you want them to keep doing it again. But anyway, Peter,

1:31:46 Then suddenly, my dad said he did it in one take. He went from completely flat to this insane... You know, all this stuff. And I love how he plays all these characters in the movie. Oh yeah, I mean it was brilliant. Anyway... But the other thing that was interesting about that is that he got a, after Doctor Strangelove was released and weirdly it was premiered on the day that Kennedy was assassinated. And so they cancelled the premiere. Weird coincidence. Anyway, he got a phone call from the CIA and they said we'd like to interview you.

1:32:23 I've heard about this, so tell me. And so they said, we want to know how you knew what the war room looked like. That's right. And he was like, no, I don't think I will do an interview with you. But he was in England and we had an apartment in St. John's Wood and my dad told me this. That he was asleep in bed and with my mom and he woke up with a flashlight in his face and a group of police officers standing around their bed, right? I mean how many of you have ever had this experience unless you're a drug kingpin and then they just said to him. Oh, sorry We made a mistake and then just left the threat. Well, I mean, you know good God and

1:33:10 You let yourself into someone's bedroom and surround them. I know... That happened after he released us? Well, I don't know the exact time, but I would guess that it was. That's the thing I remember hearing from my mom. Yeah, they were like, how did you know exactly how it looks? Well, he could just envision... Well, no. ...what Egomaniacs would build. No. It was my mom and Ken Adams. Ken Adams was a brilliant art director, and Ken did all the Bond movies. But Ken and my dad were really good friends. He was a German fighter. No. British fighter pilot, but he was German Jew and he was in the RAF, but... Little detail, but he was brilliant You know if you look at the Bond movies it definitely you'll see His touch right looks like Dr. Evil stuff. Yeah, it's like yeah, but later, but yeah, yeah and Actually by the way, it was my mom that Introduced my dad to Clockwork Orange. She said you've got to read this book Anyway No

1:34:08 Well, what another masterpiece? Yeah. You know that film I don't think my dad had any idea what was going to be the repercussions but eventually because he had so many death threats we had people coming to our house literally like you know shouting up at the windows going Mr. Kubrick come down you know and for the first three weeks after its opening I there was so much journalists outside our house that I didn't even go to school which is fab for For three weeks. People don't know what's the boil down about a modern dystopia collapse of society mind control? Yeah, I mean Oh God, I forget his name now. Um guy that wrote it pull up the author clockwork orange guys I can't remember anyway, I have a novel clockwork orange Anyway, I think what a visionary there. Well good 1958 book or something. I mean since it's yeah ages ago but I I think that

1:35:05 Anyone who begins to research and bothers to turn away from what we're being spoon-fed and starts to look at how things really work Which I think um damn. I wish I could remember his name sorry English writer Anthony Burgess Anthony Burgess Is it Anthony Burgess? Yeah, that's right. Oh right. Yeah. We're almost out of time. Okay, anybody starts to pay attention. Oh Pardon? Anybody that tries to wake up and pay attention. Right, um, you know, you begin to see how the world works and that's another very vital reason why InfoWars has to continue even if Alex, you know, has to take and regroup or whatever the hell's gonna happen. The whole idea of us having truthful things, having a view of the world that is actually the way it is instead of the illusion that these

1:35:56 I don't know how they got to be so powerful. I was about to say, even if we're not perfect, it's going to have other views. So imagine the show is about to end in four minutes, which it is. Vivian Kubrick, I wanted you here. I'm trying to get all our most important guests on. I appreciate you coming and doing this from where you live close by in Texas, but you still drove for hours with your dogs. We appreciate you. What are your closing comments you want to get out? After you leave here, you wish you would have said it, say it now. that all of you make a tremendous effort to move out of your human viewpoint and start to look at this in terms of the eternal beings that we actually are, which will not only spare you the confusion that would happen if you just get stuck in this idea that there's this one life or even if there's some mystery beyond it. I'm telling you, we are eternal beings and that if you want to

1:36:51 significantly change reality, you the spirit being, you've got to put your intention there and not be fearless because we can't help that, that's part of this composite of being human, of having this human body, of having a mind, but to know that you will pay in a much more profound way if you back away from this challenge. You will pay not with your soul, but you will damage yourself for not having made this first step. outside of being human and really looking at the future of us as spiritual beings. And that if we're going to deal with what's happening around us, we cannot lower ourselves to the state of consciousness of the people that are attacking us who are murderous, vicious maniacs. And there's no time to explain why they're there. We have to elevate ourselves

1:37:53 operate at the most pristine level of fairness, of truth and bravery despite this human part of us that's still trying to make us curl up in a ball and run away. We have to stand up to this. There's too much of history to show us what happens when you commit the crime of omission, when you stand there and just watch it happen. You know as small an act as it is every time I go out into the world I go up to strangers I talk to them I get talking I mean you can tell I'm bit of a chatterboxer It's not hard for me I talk to them and then I tell them about the information that I've learned from here and Learned from you know all the other people who it's human interaction. Yeah, and that I I'll tell you something very heartening

1:38:39 In the four years that I've been doing this every time that I go out UPS store, you know wherever it is the supermarket I go up to women especially with babies and I I love babies So I always I'm talking to them and then I say hey You know that they've put this mRNA and I explained it all to them The great thing is about 98% of them now already know it none of exactly you're saving lives. You're using your human agency to save people. I'm using my knowledge that thank you, Alex, you brought to millions of people along with all the other very brave people that brought knowledge to us and the documents, right? And if we keep doing that, if we are vigilant, we do not comply

1:39:29 And we use our communication at a very high altitude. You don't go up to people and go, you stupid mother. You took the vaccine. I'm not gonna waste my time with you. Why waste? We cannot do that. We have to stand up like angelic beings at that level of humility. of certainty that we have to stand up for our fellow man. I agree. Vivian, beautiful. Come back soon. We love you. Owen Schroeder takes over now. Vivian, amazing job. Great job. Thank you. Thank you everyone for listening. Many years ago, I coined the term 360Win.

1:40:05 That's another way of saying it's a non-zero sum game. When you have a sum game, it's a pizza, there's only so many pieces, it doesn't get bigger. But if something is symbiotic, if something empowers everybody involved with it, it is a 360 win. When you visit drjonesnaturals.com, you're not just supporting our broadcast by getting the products, you're getting game-changing products that really, really work and are amazing. All of the nano silver incredible products like Next Level Foundational Energy, products like Top Brain, an incredible Nootropic, Rocket Rest, an incredible Natural Sleep Aid, and dozens of other products not available at infoworkstore.com or exclusively available at drjonesnaturals.com. And they keep the show on the air and they're amazing, a 360 win. So please follow the links below to drjonesnaturals.com and I thank you for your support. And for breaking news and updates, be sure and follow me at Real Alex Jones here on X.