Topic: Hollywood

Comedian Jamie Kennedy joins the show to discuss the "psychosis" of Los Angeles politics. He highlights the mayoral candidacy of Nithya Raman, criticizing her stance on allowing homeless encampments near schools. Kennedy claims many people in Hollywood secretly hold conservative views but "virtue signal" to their friends to avoid social repercussions.

Jeremy Boreing, the co-founder of The Daily Wire, has reportedly transitioned out of his CEO role to focus on creative projects, which some interpret as a firing due to wasteful spending. Boreing's previous leadership of "Friends of Abe," a private club for conservatives in Hollywood, is also discussed. Despite the company's massive funding, critics point to low view counts on Boreing's independent projects as evidence of "inauthentic" influence.

Traditional cultural events like the Oscars and Grammys are seeing historical lows in viewership as the public experiences "Hollywood fatigue." Mark Dice argues that celebrities no longer hold the same power over the cultural narrative, leading to an "influencer infiltration" where management agencies push social media stars to fill the void. This shift is seen as a loss of power for the established political and social structure that relied on celebrity endorsements.

Former Clinton advisor Robert Reich is criticized for a CNN article lamenting the loss of trust in government and media. Jones argues that the public's hatred for Hollywood and politicians predates Donald Trump and is part of a "worldwide populist awakening." He mocks the "disconnected" elite who miss the days when they could bask in their own celebrity at events like the Correspondents Dinner.

Listeners are encouraged to run for local offices like sheriff or county judge as independent candidates to bypass party corruption. A former Hollywood worker describes being blacklisted after refusing the COVID-19 injection following a mandate from Sean Penn. The "Wars of the Info" X account is highlighted for its high-quality AI-generated videos supporting the movement.

Jones expresses his disdain for the "tuxedo culture" at Mar-a-Lago, stating he has no desire to be "anointed" by the establishment. Benjamin argues that the obsession with appearance and narcissism in Hollywood leads to a spiritual "inversion." They suggest that real women are tired of "pretty boys" and are instead looking for stability and authentic, independent men.

The disappearance of scientist Monica Reza is noted for following a pattern where high-level individuals leave their smartphones in mailboxes before vanishing. Simultaneously, Hollywood is preparing a wave of UFO-themed films, including projects by Steven Spielberg and the director of Top Gun, scheduled for release in mid-2026. These media projects are viewed as an attempt by the "Deep State" to co-opt the disclosure narrative before the public learns the truth.

Actor Chuck Norris has passed away in Hawaii at the age of 86, marking the end of an era for traditional masculine role models in American culture. Norris is credited with being the subject of the internet's first major meme format, consisting of hyperbolic jokes about his strength and stoicism that became viral between 2002 and 2004. His career, highlighted by Walker, Texas Ranger, is contrasted with modern Hollywood actors like Pedro Pascal and Timothée Chalamet.

Anthony Cumia discusses the declining ratings of the Academy Awards, attributing the trend to a growing disdain for celebrity political activism. He argues that actors like Robert De Niro have destroyed their legacies by alienating audiences with "liberal communist ideology." Cumia posits that the era of celebrated movie stars is over, as the public now views them as "vapid empty vessels."

Jason Hollis joins the program to discuss the "demonic" undercurrents of Hollywood and its ties to the CIA. The segment begins with a product endorsement for Ultra Methylene Blue from the Alex Jones Store. Hollis suggests that Hollywood serves as a propaganda arm for the intelligence community to influence children and shape cultural narratives.

Director and writer Roger Avary, known for Pulp Fiction, is scheduled to appear in the third hour to discuss his insights into Hollywood's inner workings. The segment highlights Avary's recent appearance on the Joe Rogan Experience where he addressed themes of Satanism and how the industry communicates its intentions through film. The host claims to have deeper knowledge on the subject to further the discussion.

Roger Avary praises filmmaker Richard Linklater as one of the best of his generation, highlighting his willingness to take artistic risks. The discussion focuses on Linklater's film Waking Life and his commitment to personal storytelling outside the traditional Hollywood system. Avary notes that Linklater represents a "classic liberal" approach to cinema that prioritizes humanism over corporate propaganda.

Alex Jones discusses his refusal to sell out to Hollywood in the early 2000s, contrasting his path with celebrities who compromised for fame. He praises Tommy Robinson for enduring solitary confinement and physical abuse in prison rather than abandoning his mission to expose grooming gangs. Jones argues that society's true heroes should be those who stand up for humanity against tyranny, rather than athletes or movie stars.

Alex Jones recounts his history of rejecting Hollywood overtures from figures like Richard Linklater and Keanu Reeves after being told to stop criticizing Barack Obama. Jones introduces Tommy Robinson as a hero and "patient zero" for exposing grooming gangs in the United Kingdom despite facing torture and solitary confinement. The discussion highlights Robinson's physical and mental resilience after years of state-led demonization and imprisonment.

A specific scene from *Eyes Wide Shut* is played where a costume store owner pimps out his young daughter to Tom Cruise's character. The actress who played the young girl reportedly left Hollywood because she felt every role offered to her was over-sexualized. The scene is used to illustrate how elites "condition" individuals to accept the presence of underage trafficking and sexual exploitation as a normal part of their social circles.

Roseanne Barr's previous claims on Tucker Carlson's show about Hollywood elites being "vampires" who consume human flesh are revisited. The discussion suggests that her seemingly wild statements are being validated by the contents of the recently released Epstein files.

A satirical or scripted segment features characters discussing a rumor about a "Colonel Stephen J. Lockjaw" fathering a mixed-race child. This is used as a metaphor for how the establishment uses "fake" stories to distract from real scandals like the Epstein files or WikiLeaks. The discussion posits that Satanism and pedophilia are the true initiation rituals for the global elite, rather than the "white supremacy" often depicted in Hollywood films.

Alex Jones critiques the film "One Battle After the Next" and Robert Rodriguez’s "Machete" series as government-funded propaganda designed to incite racial tension. He argues that the trope of "secret white supremacist societies" running the government is a fiction used to divide the working class. Jones asserts that in reality, white and Hispanic communities in Texas share traditional Christian values and that the true "elite" target all races for depopulation and control.

Hollywood is described as undergoing a "controlled demolition" because it has lost its ability to effectively program the public with woke ideology. Tripoli alleges that Democratic campaigns, including those of Kamala Harris and Tim Walz, have been funded through complex money laundering schemes involving the Ukraine and FTX. This financial fraud is cited as the primary reason for the selection of certain political candidates.

The physical world is described as a "soul prison" where archons use deception to keep humanity trapped in a cycle of reincarnation. Tripoli argues that the decay of Hollywood and woke culture is a sign that the public is finally rejecting these manipulative narratives. He encourages listeners to seek a spiritual awakening and avoid the "light" at death, which he characterizes as a deceptive trap.