Topic: 35mm Film

2 chapters across the catalog

The conversation shifts to the technical differences between physical film stock and digital filmmaking. Roger Avary argues that the cost and limitations of 35mm film forced a level of discipline and "soul" into the work that is often missing in disposable digital productions. They discuss the rotoscoping process used in Waking Life and A Scanner Darkly, noting the "hand of man" present in every frame.

Mickey Willis reveals that he is now the steward of G. Edward Griffin’s film legacy, having acquired and colorized original 35mm footage of Griffin’s historical interviews. The new "Plandemic" film incorporates these archives to show the historical roots of modern collectivism and communism. Willis reports that the film is helping reunite families by deprogramming teenagers who were indoctrinated in the school system.