Topic: Cinema

The host draws parallels between the current conflict and the film "The Last of the Mohicans," specifically the theme of tribal extermination. He references Russell Means and the final battle scene to illustrate the concept of a "seed" or bloodline being wiped out forever. This cinematic comparison is used to reinforce the host's argument that the administration's rhetoric toward Iran meets the historical and legal definitions of genocide.

Roger Avary criticizes the Academy Awards for ignoring Richard Linklater's film Nouvelle Vague, which explores the making of Jean-Luc Godard's Breathless. He describes the theatrical movie-going experience as a sacred communal dream that connects strangers psychically. Avary suggests that pandemic lockdowns were a deliberate attempt by dark forces to isolate individuals and replace this communion with controlled subscription services.

Actress and doula Emmy Robbin discusses how COVID-19 mandates prevented her from auditioning for mainstream films due to her stance on medical freedom. She describes her role in "Protocol 7" as a "serendipitous" opportunity to align her professional acting career with her passion for body autonomy. Robbin highlights the success of "The People's Premiere" screenings across the country.

Byrne shares an anecdote about the jealousy of Ivy League intellectuals toward entrepreneurs. He concludes by teasing stories from the "Capital Times Magazine" regarding his alleged work for John Brennan and James Comey, including a sting involving Hillary Clinton.

Filmmaker Alex Lee Moyer joins the studio to discuss her documentary "Alex's War," which reached number two on the Apple charts. Jones reveals he previously turned down a documentary request from legendary filmmaker Werner Herzog. Moyer explains her background as an independent filmmaker and her desire to capture the "heart of the matter" in the American culture war.

A trailer for the documentary Alex's War is played, featuring clips of Jones's career, including his coverage of 9/11 and the Sandy Hook controversy. Jones discusses the film's "cinema verite" style and its success on the Apple Store despite what he describes as unprecedented censorship. He compares the film's cultural impact to major releases like Top Gun and criticizes the left for attacking the film before seeing it.

Nightclubs in Scotland are using a legal loophole by placing chairs on dance floors to reclassify as pubs and avoid vaccine passport mandates. Meanwhile, Wales has introduced vaccine passports for cinemas, a move predicted to cause significant economic damage to the local film industry.

A review of Frank Herbert’s "Dune" serves as a parable for modern geopolitical struggles against tyranny and secret societies. The film's depiction of genocide and resource control is compared to the real-world actions of the World Economic Forum and Klaus Schwab, who is likened to the character Baron Harkonnen. The narrative suggests that while audiences enjoy cinematic heroes defeating evil, they remain unaware of a real-world "binary weapon" depopulation agenda.