Topic: Charlton Heston

Using the final scene of "Planet of the Apes" as a metaphor, the host warns that globalist leaders are destroying civilization. Clips of Ursula von der Leyen's speech are played, where she discusses "imperial ambitions" and the weaponization of dependencies. She also addresses the humanitarian crisis in Gaza, which the host dismisses as virtue signaling while she allegedly prepares for nuclear war.

The 1974 film "Soylent Green" is presented as a "predictive programming" tool for a future where human remains are used for food. This is contrasted with modern reports of aborted fetal tissue being used in the UK to heat hospitals and the use of the HEK-293 cell line in food flavoring and vaccine testing. The segment claims that the integration of human biological material into commercial products is no longer science fiction but a documented industrial practice.

The plot of the classic film Ben Hur serves as an archetype for the current struggle between good and evil. The host compares the Democratic Party's eventual historical exit to the defeat of the character Messala, suggesting that evil often attempts to drag others down as it faces destruction. The story is used to illustrate the nature of betrayal and the eventual transcendence of the righteous.

Using the film "The Omega Man" as an analogy, Alex Jones describes himself as a scientist holding a "cure" for a mutated society. He claims that average male testosterone levels have dropped by two-thirds since 1960 due to environmental toxins. Jones advocates for medical systems that focus on "bending" people back to their natural biological states rather than encouraging further mutation through puberty blockers.

Alex Jones shares a personal story about his late French Bulldog, Captain, who tragically broke his neck after jumping off a table. The anecdote serves as a reflection on personal grief and the emotional toll of public life. Jones pledges to remain truthful about his moods on air, admitting to feeling "down" due to the perceived level of evil in current global events.

The hosts discuss the difference between a "cult" and a movement for freedom. Chase Geiser describes Alex Jones's off-air personality as "Alex Jones at 11," referencing Spinal Tap. Jones expresses his frustration with the "scum" attempting to shut down the operation and reiterates that he will not bow to the pressure, even if this broadcast is the last one from the current studio.

Alex Jones reminisces about his personal relationship with actor Charlton Heston, describing him as a classy mentor who cared deeply about the future of America. He contrasts the high-quality art and character of figures like Heston and Rod Serling with what he perceives as the ignorance and insularity of modern leftist celebrities. Jones attributes his own worldview to the influence of his grandparents, who were well-read in history and literature.

Alex Jones recounts a transcendent spiritual experience where he asked God to show him hell. He describes hell not as a pit of fire, but as an infinite series of sarcophagi where individuals who rejected God are entombed in their own self-created universes. He emphasizes that humans must use their free will to align with God and life to avoid this eternal isolation.

Evergreen State College is reportedly struggling to stay open after the 2017 protests drove away students and damaged its reputation. The former president who targeted faculty has stepped down, leaving the institution in a state of "Pyrrhic victory." The show concludes with a reference to the ending of "Planet of the Apes," serving as a cautionary tale for modern civilization.

Chase Geiser theorizes that Elon Musk bought Twitter to acquire unbiased data for training an AI competitor to OpenAI and Microsoft. Alex Jones calls AI the "ultimate plagiarist," noting how it can recreate the voices of deceased icons like Charlton Heston and Paul Harvey. They discuss the potential for AI to both steal identity and preserve the voices of historical figures for the patriot movement.

The iconic ending of "Planet of the Apes" is played to illustrate the finality of nuclear war. Alex Jones and Scott Ritter agree that there are no winners in a nuclear conflict, as the melting down of 457 global nuclear reactors would ensure a slow death for any survivors. They argue that the current power structure is playing a "dangerous game" by raising tensions to justify defense spending.

Jones uses the 1971 film "The Omega Man" to illustrate the archetype of "death cults" that seek to destroy technology and return humanity to a feudal state. He compares the film's antagonists to modern groups like Extinction Rebellion and the World Economic Forum, claiming they want to "erase history" and eliminate individual autonomy. The segment argues that globalists use environmentalism as a pretext to strip the public of machinery, weapons, and electricity.

The host reaffirms that Americans will never surrender their firearms, echoing Charlton Heston's "cold dead hands" sentiment. The Second Amendment was designed by the founding fathers not just for self-defense against criminals, but as a final check against a tyrannical government. Despite calls for gun control, the host predicts that ammunition and firearm sales will continue to reach record highs as citizens realize they must be their own first responders.

Alex Jones prepares for an interview with David Parton to discuss the legacy of General Benton K. Parton, a former head of Air Force weapons development. Jones credits the General, along with figures like G. Edward Griffin and Ted Gunderson, for mentoring him in the fight against globalism. He opens the phone lines for first-time callers to discuss the economy, COVID-19, and the UN-WEF partnership.

Jones reflects on his mentors, specifically former FBI official Ted Gunderson, who allegedly exposed child kidnapping rings and elite pedophilia decades ago. He recounts conversations with Gunderson and actor Charlton Heston about the future of America and the necessity of leadership. Jones claims the modern FBI has been infiltrated by "mafia" elements and is no longer the organization it was under his mentors.

Alex Jones recounts a conversation with former Fox News head Roger Ailes regarding media strategy. Ailes reportedly advised Jones that having too many guests and promoting other charities would dilute his audience's financial support, contrasting this with Rush Limbaugh's model of limited guests. Jones rejects this approach, stating his goal is victory over globalism rather than personal wealth or private jets.

Referencing the ending of the film *Planet of the Apes*, the discussion compares the current state of the world to a self-inflicted nuclear apocalypse. Klaus Schwab and the World Economic Forum are accused of engineering a collapse to pose as saviors. The segment warns that the 99% will suffer the most as nihilistic globalists attempt to dismantle modern civilization.