Topic: Ridley Scott

Congressman Tim Burchett recently stated on Fox News that classified briefings regarding alien-human hybrids would terrorize the American population if made public. Director Ridley Scott's film Prometheus is presented as the elite's actual creation story, involving humanoid giants who seeded Earth and utilize biological weapons. These narratives are linked to ancient Anunnaki legends and the idea of directed evolution managed by off-world entities.

Roger Avary praises Ridley Scott's The Last Duel as an accurate metaphor for how Hollywood operates. He argues that the film's depiction of a corrupt court mirrors a system where one must participate in "the orgy" to remain an insider. Alex Jones compares this to the film Rollerball, where elites attempt to steal the "essence" and voice of the individual.

Roger Avary compares The Revenant and The Martian, noting that while both involve survival in isolation, the former is driven by revenge and the latter by forgiveness. He argues that modern television, such as Game of Thrones, relies on "cheap tricks" of extreme violence to stimulate the audience's serotonin levels. Avary suggests that true artistic mastery lies in pushing the "ceiling of forgiveness" rather than escalating gore.

Drawing inspiration from Ridley Scott's "Gladiator," the host reflects on his 35-year career and the sacrifices made to deliver the truth. Despite facing bankruptcy and the loss of personal assets, he expresses a "thrill" in advocating for the Second Amendment and organic food. He rejects the idea of being a "scammer," noting that he could make significantly more money by selling high-premium products but chooses to maintain his integrity.

Artificial intelligence is described as a tool for "scooping the collective unconscious" to create a new silicon-based life form. This development is linked to ancient occult beliefs and modern eugenics projects initiated by families like the Huxleys and Galtons. The segment argues that elites believe they are receiving interdimensional messages to terraform the Earth and replace carbon-based life with a cybernetic interface.

A theory of "panspermia" suggests that human life was seeded on Earth by an advanced humanoid species, a concept explored in Ridley Scott's film *Prometheus*. This is linked to the biblical account of Noah, who was described as "perfect in his generations," interpreted here as being genetically untainted by fallen angels. Modern medical mandates are viewed as a continuation of this ancient effort to induce mutations in the human genome.

The host and guest analyze Ridley Scott's film "Prometheus" as a reflection of elite beliefs regarding human origins and the Anunnaki. They revisit Buzz Aldrin's public statements about a monolith on Phobos, suggesting it is an artificial structure. The discussion frames science fiction films like "2001: A Space Odyssey" as "hiding in plain sight" the reality of ancient space stations and extraterrestrial artifacts.

Alex Jones concludes his portion of the broadcast by comparing his 30-year career to the film "Gladiator," asserting that he has delivered "victory after victory" against globalist lies. He makes a final plea for financial support through Dr. Jones Naturals and the InfoWars Store, stating that the network's survival is at a "50-50" juncture. Jones then hands the broadcast over to fourth-hour host Chase Geiser.

The evolution of Super Bowl commercials is discussed, starting with Ridley Scott's 1984 ad for Apple. Dalley argues that these ads are used for "messaging" and psychological conditioning. She also explains the psychology of the "super fan," noting that gambling makes viewers ten times more likely to stay invested in a game, which the NFL exploits to maintain its massive audience.

The globalist agenda is compared to the movie "Cloud Atlas," where humanity is reduced to pure slavery. "Woke" reboots of films like Ghostbusters are criticized for projecting "sickness" onto the audience instead of providing entertainment. The segment concludes with a series of parody impressions of figures like Bill Gates, Angelina Jolie, and Barack Obama to promote the Infowars Store.

The film "Prometheus" is used to illustrate the elite's view of humanity as an accidental or flawed creation. Dyer critiques the views of Yuval Noah Harari regarding the lack of free will and the eventual uploading of consciousness to machines. He concludes that the alien narrative is a demonic deception intended to steer humanity into a transhumanist Skynet system, citing the involvement of figures like Michael Aquino in psychological operations.

The art of H.R. Giger, featured in the film Alien, is described as a blend of transhumanism and satanic imagery intended to portray the violation of humanity. Arthur C. Clarke's Childhood's End depicts an alien race that looks like the devil and seeks to take the world's children before nuking the planet. These cultural works are viewed as "pre-programming" to prepare humanity for a deceptive and destructive encounter with non-human forces.

Dyer analyzes the 2016 film "Morgan," which features a corporation-owned hybrid being with synthetic DNA. He argues the film predictively programmed the public for nanotech DNA alteration four years before the pandemic. He claims the transhumanist elite intend to replace humans with modified beings that lack emotions and can kill without compunction.