Topic: Metropolis 1927

The 1927 film "Metropolis" by Fritz Lang is cited as an early depiction of elite rituals involving the draining of human plasma to animate an "Antichrist goddess." This cinematic narrative is viewed as a reflection of the actual religious beliefs of the global elite. The transfer of human essence into machines is a central theme in modern transhumanist agendas.

Fritz Lang's "Metropolis" (1927) is cited as the earliest cinematic prediction of AI and its potential to destroy the social fabric. Jay Dyer highlighted the film's use of occult imagery, including inverted pentagrams, to link technological advancement with "dark alchemical science." The film's "Machine-Man" is viewed as a precursor to modern transhumanist concepts and the "Babylonian" collapse of society.