Topic: Kenneth Anger

3 chapters across the catalog

Modern pop culture is described as a "Theater of Brutality" that initiates the public into total paganism. Dyer links the avant-garde films of Kenneth Anger and the "Church of Satan" to a broader plan to bring in a "Transhumanist Aeon." The goal is the destruction of existing social structures to facilitate the "apotheosis" of a new, post-human man.

The discussion turns to filmmaker Kenneth Anger and his influence on the Rolling Stones through occult-themed films like "Lucifer Rising." Dyer details the role of Owsley Stanley, a former Air Force operative, in distributing millions of doses of LSD in coordination with the Grateful Dead. He argues that these activities were part of a larger social engineering project to create a "mind control" culture.

Jones recounts telling Joe Rogan that George Soros and the CIA weaponized marijuana to induce schizophrenia. Jay Dyer compares the Astroworld tragedy to the Rolling Stones' Altamont concert, noting the influence of Crowleyan filmmaker Kenneth Anger. They conclude that "mass marketing" is effectively a ritual used by the elite to project their will onto the masses.